WELCOME TO TAI-CHI AS THERAPY

On my behalf of Tai-Chi as Therapy, I would like to welcome you to my site. I am dedicated to training safe and effective Tai-Chi for anyone who is interested in becoming more mindful and focused in their everyday life. 

Please take the time to browse this website and feel free to contact me if I can assist you or your organisation’s Tai-Chi training in any way.

Pamela “Shea” Lake

M.Ed., Tai-Chi Instructor

My name is Pamela “Shea” Lake and I have been practicing yoga, meditation and Tai-Chi since I was twelve years old. I have studied Tai-Chi at the prestigious Aspen Academy of Martial Arts as well as many world masters over the years. I hold a yoga certification that is specific to restorative method of iyengar yoga but I have also practiced and studied many other styles. Through all of these disciples I strive to carry the focusing and mindful aspects of meditation practice into my daily life and share with others how to do the same. My motto for life is

“If you go where few have gone, you will find what few have found.”


– Gautama Buddha

I am also a licensed massage therapist and certified in reflexology and will be onsite for individual appointments. I have practiced massage predominantly in stress and pain management settings.

Tai Chi as Therapy

A Student and Teacher Handbook

chapter one

What is Tai-Chi Chuan?​

Tai-Chi is a soft, flowing branch of the martial arts, originating in China. Tai-Chi is conducive to toning the muscles, encouraging the balance and poise, and is an over all program to increase relaxation skills and promote maximum health.

Tai-Chi is a series of dance-like postures interconnected to from one continuous uninterrupted form. It is performed in a very slow and relaxed manner, resembling a slow-motion movie.

Although the form of Tai-Chi can be learned in a reasonable amount of time, it is an ageless art with myriads of dimensions and perspectives, making Tai-Chi a challenging program of exercise one can carry with them throughout life.

Tai-Chi Chuan refers to the martial arts aspects of the exercise as the word Chuan is interpreted as “fist”. In Tai-Chi as therapy this aspect of the form is minimized.

This book will explain how this wonderful art from can be applied in therapeutic settings to enhance the lives and health of those seeking mental, emotional, and physical healing.

chapter two

Body Mind and Spirit and Tai-Chi as Therapy​

the 3 Components of Tai-Chi as Therapy

Tai-Chi movements give clues about physical problems via posturing during practice. Initially, the student begins to learn how to simply stand still and “listen” to the body in the Wu-Chi posture before the movement into the form begins. Posture and alignment are crucial to proper Tai-Chi practice as the spine acts as an axis to carry the body through the form. The neck is relaxed by imagining that the top of the head is being pulled “like a puppet string” as mentioned in the Tai-Chi classics. The buttocks are positioned as if sitting on a board or flat-swing in mid air. As the student learns to be patient with stillness, the breathing patterns become less shallow and the shoulders drop as a relaxation response. Emotions such as anger and anxiety decrease as body posturing associated with the emotions melt into the posture of the form.

The student then leans to walk one step at a time with mindfulness, rolling the foot from heel to toe, then walking backwards toe to heel, and finally sideways using the instep of the feet. The student then watches for any emotions or distracting thoughts arising during these exercises.

The body then begins to move into the actual Tai-chi “form” or series of connected, uninterrupted movements. All movements originate from the ”Tan-Tien” which is located 2-3 inches below the navel and functions much like the hub of a wheel as the limbs move like spokes through the air. Tan-Tien is considered the “energy center” of the form and all movements arise from this center. The student then imagines that the rest of the body is propelled into movement by the “steam” of the Tan-Tien as it “travels” through the muscles, joints and limbs.

The student once again practices patience as they wait for the body to respond to the energy emanating from the Tan-Tien before movement. In this way they are able to let go of control and simply wait and relax into the internal energy that propels the body. This can be quite challenging for students, as everything is “fast-food” and does not require much patience of waiting for results.

The limbs begin to feel buoyant and free of tension, almost like they are effortlessly being pulled through the space around them. The body becomes increasingly relaxed as it responds to these sensations thereby decreasing stress and tension in muscle groups. This relaxation response can be very helpful in pain management and anxiety disorders.

The concepts of yin and yang are incorporated into the movements as each step and movement must be complete before entering the next. For instance, there is an exercise called the ”decision walk” in which the student focuses with undivided attention on the weighted side of the body before transferring the weight to the opposite side of the body. They then compare this experience to the patience it takes to complete one decision until it is completed and sorted out. In this way impulsive decision-making habits are reduced.

The student is encouraged to go at their own pace, and to not push themselves to “do it right”. They will learn to enjoy the freedom of listening to the individuality of their own body and how it interprets the form. In groups it is encouraged not to compare yourself with others, but to focus on a personal pace. It is by no means sterile and impersonal in the way each individual group pace or ”aura” that is dissimilar to any other group.

Another specific physical aspect of Tai-Chi as Therapy is the use of space and recognizing the body’s place in space. In expanding and contracting the limbs away from and toward the body, a student begins to recognize in this moment, their place in the universe. They discover their “personal” expression of the yin and yang as they move. In group work this becomes even more apparent as one makes room for others in the space, finding a comfortable distance from group members. An experience of rhythm and timing with others emerges. There is a sense of “oneness” and “interconnectedness”, much like being a drop in a wave of the ocean as the student is carried by the collective, spontaneous, internally prompted, movement of the group.

The student begins to enjoy a sense of belonging and a positive image as they watch their individual form refine in the context of the group. The similarity of the parts creates a communal whole.

Self-esteem, body awareness, and social phobia are addressed in a way that only others can help us grow.

A student finds the freedom to rediscover who they are and where they belong in the whole of their particular world and experience.

This satisfies the inner longing in all of us for inner peace. When the students only compete with themselves, all outer problems begin to disappear. This is particularly effective in competitive, over driven, and aggressive personality types. The stress of constantly pushing one’s self in competitive comparison with other decreases. Perhaps for the first time these students are able to relax and enjoy being in a group setting.

In summary, the physical components to be addressed when applying Tai-Chi as Therapy are as follows:

Alone

  • Learning to find personal space and be comfortable with being with one’s body and emotions
  • Learning to let go and relax the flow of the movements as they unfold, rather than trying to control the environment around them.

With Others

  • Learning through pairs or group work, the ability to let go of competition and self perfectionism and relax into the natural rhythm of the group
  • Learning body and space awareness in a group setting

In Tai-Chi as Therapy one learns to clear the mind of distractions and focus on a particular movement of the form. The initial focus is on Tan-Tien the source of energy that moves the body. Tan-Tien is located approximately three inches below the navel.

Mindfulness breathing also settles the mind before beginning movements. The mind becomes free of worries, as the slower pace guides the mind into a meditative state. The meditative pace of the movements are designed to slow the body down to the same pace as the internal organs; creating an internal and external balance .

Deep breathing is triggered by this balance, which in turn calms the mind. It is impossible to breathe rapidly and relax at the same time. In other words, it is as if the mind thinks: “Oh, they are breathing deeply it must be time to relax” and sends a message to the body to relax at an even deeper level.

This cycle continues and the student is able to relax at a deeper and deeper level as the form progresses with time.

The mind focuses on Tan-Tien, the breath, the body, and finally the arms and fingers, thereby bringing the internal to the external and gradually acclimating into a relaxed and undistracted mind.

In order to increase balance, the mind focuses on imaginary “roots” in the soles of the feet, pushing deep into the center of the earth. By focusing the mind on the feet, a new awareness of balance develops and confidence increases. This allows the student to flow through the form without fear of falling. Also to increase balance the eyes look forward in Tai-Chi, forcing the mind to do all the work in balancing the body. Students who have problems with balance tend to want to look at their feet, which actually decreases balance. By using the mind to balance the body, this habit is erased.

When practicing with a partner the student follows the flow of their partner’s movements. In following another person’s pace the tendency to want to control the situation by going slower, faster, or trying to anticipate what is coming next, is eradicated. In this way the mind is forced to stay present rather than wander toward negative emotions and feelings. Eventually, by gradually letting go into the other’s pace and focusing on one thing, (following the partner) the student and partner “become one mind a body”. The emotions of self disappear into the other person as partner work continues because it is scientifically impossible to focus single pointedly on more than one thing at a time.

When the student enters the spiritual component of Tai-Chi he steps off into another dimension of time and space. This process is similar to the process of identification of a Higher Power, as willpower is replaced by willingness. The body has been calmed, the mind is peaceful, and a sense of being “pulled” through the form emerges. The breathing naturally coordinates with the inward and outward flow of the movements.

With practice, the inhalation automatically occurs during inward movements and exhalation during outward movements. This is why the therapist should not overemphasize breathing in the beginning; because the rhythm of the body combined with the growing stillness of the mind produce perfect, yin/yang balanced breathing patterns.

As the spiritual aspect of Tai-Chi increases the student begins to feel less separate an integral part of nature, others, and the universe. A melting away of separateness occurs and a sensation of the connectedness increases.

Daily practice of the form will be awarded by a “cruise control” effect. When this happens thinking stops and a sense of “being” occurs as one effortlessly moves through the form. This creates a spiritual experience that is unique to Tai-Chi. Tai-Chi has been translated “grand ultimate” for this reason.

The meditative and effortless nature of the spiritual aspect of Tai-Chi as Therapy is what transforms the personal experience from just a series of movements and “check points” into something greater than the student.

Several sensations may occur in the body as the natural “chi” flow of the body is unlocked. The “traffic jams” on the “freeway” of the energy flow pathways of the body are opened. When this happens the muscles may twitch or quiver, a tingling or warm sensation may arise, especially in the arms and hands and sometimes on the crown of the head, and the muscles may feel expansive like they are floating.

All of these sensations are a natural relaxation response, but may be disconcerting to the student. For this reason it is advised to inform the student in advance about the possibility of these occurrences. As time passes these bodily sensations will subside.

Eventually, even before the first step is taken into the from, the body/mind will recognize that “it is time to relax” and the spiritual aspect emerges immediately. At this point the “form does the practice” rather than the student “practicing the form”. This experience can be blissful and re-energizing and creates a willingness in the student to “let go” and let something greater than themselves to guide them as they explore their personal issues through Tai-Chi as Therapy.

Tai-Chi was designed in perfect accordance with the natural internal and external needs of the body, and aligns the way the body, mind and spirit optimally function.

chapter Three

Benefits of Tai-Chi as Therapy Within Specific Populations

  • The ability to focus the mind on one thing
  • Decreased craving and obsession with drug use
  • Decrease in irritability and impatience
  • Increased relaxation skills
  • Ability to go to sleep and stay asleep
  • Decreased muscle tension
  • Improved breathing skills
  • Confidence
  • Self-esteem
  • Decreased Anxiety
  • Connectedness to others
  • Ability to identify one action affects the next by noticing the interconnectedness of the movements and dependence of one upon the other
  • Connectedness to something greater than themselves
  • Slows down the outside to match the internal rhythm of the body which decreases agitation and impulsivity
  • Teamwork skills when practicing in a group
  • Awareness of surrounding space and boundaries with others
  • Decrease in lethargy though movements
  • Body awareness
  • Breathing patterns with body movements rather than sighing or holding breath
  • Self-esteem as learn the student learns the movements of the form
  • Decreased isolation through connectedness with others if practiced in a group setting
  • Ability to reconnect with the beauty of nature as the body moves at the same pace as the wind, ocean, clouds, etc.
  • Body awareness and appreciation through the beauty of the relaxation response provided by the movement of the form
  • Eyes focus on movements rather than looking at the floor
  • Transcends self out of emotions into a physical and spiritual experience
  • Relaxation
  • Calm mind
  • Ability to re-focus attention on non-anxiety producing event while practicing the form
  • Deep breathing skills (it is impossible to breath deep and be anxious at the same time)
  • Body and special awareness
  • Confidence and Self-esteem
  • Balance
  • Intangible emotions become clear while watching thoughts rise and fall with the movements
  • Focusing and Concentration Skills
  • Ability to think before acting
  • Slows down response time
  • Awareness of surroundings and boundaries with others
  • Decreased agitation
  • Teamwork
  • Meditative calm arises from slow pace of movements
  • Balance
  • Concentration
  • Memory
  • Muscle tone
  • Flexibility
  • Self-esteem
  • Reality Orientation for students with Dementia concerns (awareness in the here and now)
  • Increased circulation
  • Gentle and soft form of exercise
  • Awareness of space
  • Body awareness
  • Relaxed muscles decreases pain levels
  • Awareness of space and boundaries
  • Cooperation
  • Relaxation
  • Concentration
  • Focusing skills
  • Communication through silence
  • Communication through movement
  • Ability to identify own/other’s care taking, rescuing, attentiveness vs. non-attentiveness, following directions, expressing needs, and other behaviors while interacting with significant others
  • Communication through touch
  • Teamwork to complete a common goal

chapter Four

TAI-CHI MOVEMENTS

In this chapter Tai-Chi movements and their benefits are listed. Use this as a reference for different styles. 

Steps:

  • Sink into the back leg and turn the waist to the side, keeping the head in line with the center of the body. The hands and feet should be relaxed and controlled by the waist, so if the waist does not move the hands and feet do not move. 

  • Turning to the side, the same hand on the side you are turning towards should end up with the palm facing forward, as in parry to the side, and at shoulder height. The front hand should be palm facing down and in front of the heart, with the arm extended and both elbows slightly bent. 

  • Stepping back, remember to step out to the side as well as backwards to provide a proper and strong stance. The toes should contact the ground first and then as you sink into the back foot a slow and even transfer of the weight should be applied. You end up with the waist facing forward, shoulders and elbows relaxed. The hands should be soft, but with energy and not tensed. The same hand as the back foot should be facing upwards and slight cupped. The forward hand, should be shaped the same as a single pushing hand. In the 16 step form there is only one monkey performed and in the short form there are three and in the long forms left and right there are five

  • Coming Soon

Benefits:

  • Mindfulness
  • Balance
  • Massages internal organs
  • Eye hand coordination
  • Relaxation

Steps:

  • Collapse arms/weight to left side, form a “beach ball” with the right hand on the bottom and “steering wheel” motion to the left, shoulder stroke to the right, open with the right hand “thumb over soft spot of the head” as the left hand “floats by the left side

Benefits:

  • Imagine “slicing away” problems
  • Think “I am gathering my strength”
  • Uses entire body to calm and clear the mind
  • Increases body strength and balance (especially while standing on one foot)
  • Massages internal organs

Steps:

  • Rainbow to the left, pivoting right foot on heel, as thumbs reach left knee, chop with blade of both hands, sinking weight to right leg
  • Form “car keys” hand position with right hand “protect” keys from dropping with left hand and drop weight to right leg
  • Step to back wall and form “single whip” by “mounting horse”, “giddy up” position with the right hand and left hand ends up even with the sternum 

Benefits:

  • Assertiveness
  • Balance
  • Confidence
  • Empowerment
  • Softness while being assertive
  • Concentration and exactness

Steps:

  • Lift arm only to chest level, back of hand leading
  • Shift weight to right and left arm protects groin
  • Push down with right hand lift up (1/2 hugging tree posture) with left hand, stepping to left, left middle finger connects to right toe helping right foot pivot on heel
  • Beach ball with left hand on bottom step to right turn ball until reaches “5 Squirells” hand position
  • Sink back, pull left hand to ear, leading with “tigers mouth” of left palm to ear turn hips and press palms together
  • Take small glove off right hand, separate hands, sink back and push

Benefits:

  • Includes all martial arts aspects of Tai-Chi
  • Awareness of ”quas”
  • Balance
  • Relaxation
  • Joint flexibility and relaxation
  • Connectedness with others (2-man form)

Steps:

  • Your eyes look forward and slightly downward. Put your attention to the Tan Tien point that lies 3cm (1.25in) below your navel, one-third of the way into your body.
  • Pull your chin a little back so that upper part of your spine gets in the straight line. Release any tension in your neck.
  • Let your arms hang loosely. Drop your shoulders and your elbows.
  • Relax your hips and belly. Tuck in your bottom so that lower part of your spine gets in the straight line.
  • Stand with your heels at least a shoulder-width apart.
  • Inhale and exhale gently through your nose only. Place your tongue up against palate behind your front teeth. Your mouth should be closed, but don’t clamp your teeth shut. If saliva forms, swallow it and mentally follow it down into your stomach.
  • Exhale completely and allow your chest to drop: this is the ideal posture.
  • Don’t stiffen your fingers. Allow them to curve gently and remain slightly apart.
  • Unlock your knees. Bend them little so that the tip of your knees is in alignment with the tip of your fingers (like in the illustration).
  • Coming Soon

Benefits:

  • Patience
  • Body Strength
  • Arm Strength
  • Focusing Skills
  • Watching thoughts of stillness
  • Increased energy flow of ”chi” in body
  • Awareness of body alignment

Steps:

  • Start with weight on both feet under shoulder width apart in Wu-Chi position
  • Lift thumbs leading to chest level, elbows heavy, drop arms until touch pant legs

Benefits:

  • Letting go of body and mind as hands rise and fall
  • Peace of mind as Commerce into the form
  • Take peace of mind into daily life with Conclusion
  • Concentration
  • Relaxation

Steps:

  • The Daily Warm-up and Conditioning Routine

    Warm-ups

    1. Circle hips and knees 5x each side
    2. Circle body 10x
    3. Elbow to toes 10x each side
    4. Pendulum leg stretch 10x each side
    5. Outside wheel kick 10x each side
    6. Lying leg stretch 10x each side
    7. Front/side combination high kicks 10x each side
    8. Back high kick 10x each side

    Standing deep breathing 30 seconds

    Power Set

    1. Raise & lower palms 30x
    2. Cat stretches forward and backward 10x each
    3. Cross-legged roll backs 20x
    4. Back arches 10x

    Lying down deep breathing 30 seconds

    Stretching Set

    1. Side split 1 minute
    2. Sitting side stretch 1 minute each side
    3. Front split 1 minute each side
    4. Pigeon 1 minute each side

    Circling arms breathing qigong 10x at own pace

    Approximate Total Time: 25 minutes

  • Coming Soon

Benefits:

  • Kidney, liver, heart, spleen, and lung function
  • Elasticity of joints and ligaments
  • Increased concentration
  • Balance
  • Body awareness
  • Confidence
  • Calms mind and energized body before practice

chapter five

Tai-Chi “Que Words”

1st section long form | Yang Style

  • Start with weight on both feet under shoulder width apart in Wu-Chi position
  • lift thumbs leading to chest level, elbows heavy, drop arms until touch
  • pants legs
  • Lift arm only to chest level, back of hand leading
  • Shift weight to right and left arm protects groin
  • Push down with right hand lift up (1/2 hugging tree posture) with left hand, stepping to left, left middle finger connects to right toe helping right foot pivot on heel
  • Beach ball with left hand on bottom step to right turn ball until reaches “5 Squirells” hand position
  • Sink back, pull left hand to ear, leading with “tigers mouth” of left palm to ear turn hips and press palms together
  • Take small glove off right hand, separate hands, sink back and push
  • Rainbow to the left, pivoting right foot on heel, as thumbs reach left knee, chop with blade of both hands, sinking weight to right leg
  • Form “car keys” hand position with right hand “protect” keys from dropping with left hand and drop weight to right leg
  • Step to back wall and form “single whip” by “mounting horse”, “giddy up” position with right hand and left hand ends up even with the sternum
  • Sink to left leg and pull both hands together in front of you with “tiger’s mouth” even with crook of elbows (as if a stick could balance evenly between both arms)
  • Collapse arms/weight to left side, form a “beach ball” with right hand on the bottom and “steering wheel” motion to the left, shoulder stroke to the right, open with right hand “thumb over soft spot of the head” as the left hand “floats by the left side
  • Relax qua on left and “slice” with right hand, circle behind you with “tigers mouth” with left hand, “beachball” in front, left hand guards, right hand leads “tiger’s mouth” to the ear, step forward, heel first with left leg, brush left knee with left hand and right hand to ear in “tiger’s mouth” position and ends with thumb even with sternum of front of body
  • Pull up, set right foot down, pull up set left heel down with hands in front of you in “balanced stick” position, left hand is upper and right hand is lower hand
  • Circle left hand to ear, pivoting right foot at the same time, as hing guards front of body, root to the left, step straight forward, heel first with right foot, as left hand circles to the ear with “tiger’s mouth”, brush right knee with right hand
  • Circle right hand to ear and step with left foot straight forward, brush left knee with left hand
  • Pull up,set down,/pull up, heel down
  • Step up. Strike,parry and punch- Circle right hand to ear, end up with left hand brushing knee in brush knee position
  • Sink to the left, left palm to the sun, scrape fence with right hand, “hit gong” with right hand, shift weight to right, pull back “bow and arrow” to hip, right hand in a first, punch and left hand ends up in “guard” position as punch ends, hips turn forward at end of punch
  • Punch through with right arm until left palm reaches right elbow “take off the long glove” from right elbow, separate hands and push.
  • Rainbow to the right, circle hands to “horizon” and keep tracing the earth until arms cross in front of you at which point you shift lift right foot and then
  • as hands uncross place right foot down and both feet are evenly weighted on the floor shoulder width apart in the wu chi” position, arms drop until you feel them touch the pants leg.

chapter six

Teaching Tai-Chi

The Role of the Therapist

When I began my Tai-Chi training in 1971 I was amazed at how many different teachers, philosophies, styles, schools, etc. of Tai-Chi were in existence. It appeared at the time that everyone had the “right” answer, yet all the answers varied in content. This was all confusing. I made the determination to discover Tai-Chi for myself in my way. I realized at the first lifting of my hands that I would always be intrigued by this art form. I was privileged to study with many great teachers and learned many wonderful and exciting things. However, no one was talking much about this wonderful feeling that Tai-Chi brings inside the practitioner. The ”chi” was discussed for the most part as a martial art too and correct form to gain “greater advantage”. Al Huang’s Essence of Tai Chi was a refreshing reprieve for me during this time of discovery.

I began teaching Tai-Chi at the Aspen Academy of Martial Arts as a Junior Instructor under the guidance of Master Marshall Ho’o for three months each Summer. During this time I began to realize the Westerners need a different language so to speak to each other to fully understand how to practice Tai-Chi correctly.

The old way was to speak few words and have students watch and imitate a few movements until they were proficient at those moves. There was also an aura of hierarchy and secrecy around learning the form. Many students were frustrated and gave up altogether. Some gave up because of trouble with rote memory and some because of lack of patience. People in the West wanted “fast food” Tai-Chi and were accustomed to a “get it right now” society. They also did not understand that the parts they were learning made up the whole would be meaningless unless the parts were learned accurately. I began to study on my own how to memorize the moves in such a way that words, imagery and humor could be used to jog the students memory as they learned the parts. In this way the parts became a story of sorts that intertwined into the whole “book” of the form, making it at last, one continuous movement. As I taught using this method students would return for the next “chapter”. The right chemistry of student and teacher is crucial to learning a spiritual path.

The student is able in training this way to leave the Tai-Chi class with a sense of accomplishment of practicing at one’s own level and experience the “chi” from a personal level. There is no sense of competition and the experience is much more internal than external.

I once made a journal entry with a type called Tai-Chi a martial rather than a martial art. Was this a type or the truth? Indeed Tai-Chi is the marriage of our training with our spirit, at the juncture of form and function.

There is a blissful almost erotic feeling as one moves in slow motion and merges with all the surroundings through the spirit. There have been those who say that sexual energy is used in the sense of empowerment rather than de-powerment or debasing of self or others. The chakras move from the base of the spine to the crown. Tai-Chi unlocks the base chakra by movement of the waist and hips and the erect posture and uplifted head continue as an avenue to the higher chakras allowing one ultimately to unite with the Divine while moving and floating through the air. In this way the practitioner can begin from a place of power rather than feeling out of control. However, for most people, when things are “going great” there is little desire to seek out help from one’s Divine nature.

As the length of each practice time increases the world looks like it is moving around you as you are standing still, giving a wonderful optical illusion of “stillness in motion”. This experience is similar to the Classic quote “move as the river and stand still as the great mountain”. Words can feel futile as one struggles to describe the experience. Just as with anything else, practice is what ultimately brings the experience and wisdom.

There is nothing sac religious about the recognition of one’s Divine nature. This might be interpreted as a way to “clean” the body and spirit. In this way we are free of worries and anxiety while doing our practice. This idea leads to the idea of Tai-Chi as a stress management tool.

I have worked in Psychiatric hospitals and utilized Tai-Chi as a means of self-discovery, of the mind/body relationship with patients. There were several areas of growth I measured with patients as they practiced Tai-Chi:

  1. Self Concept and Self-Esteem
  2. Relaxation Response
  3. Deep Breathing Skills
  4. Self- Discipline
  5. Body Awareness
  6. Leadership Skills and Risk taking as they role modeled for others
  7. Group and Social Skills and Response to being part of a whole

These variables became so measurable that I actually had Psychiatrists prescribing my “Tai-Chi as Therapy” as part of the milieu for the patients.

  1. Teaching with authority without domination
  2. Know your heart and why you are teaching
  3. Training and Practice
  4. Patience, compassion, and an eye for individual students needs
  5. How to learn more from students than you are teaching them
  6. Be willing to be real and honest at all times
  7. Create the energy of Tai-Chi before you start class (go early and do the form to create the space for the class)
  8. use any means necessary—music, push hands, lingo/language changes to accommodate each particular group and/or student
  9. Create a sense of support, community and respect
  10. Accommodate age groups and populations
  11. Skill in choosing a place to have class
  12. Confidence
  13. Loud voice when needed
  14. Authenticity
  15. Openness to change and flow (space, people, growth of group, etc,.
  16. Adaptability
  17. Comrade with local community
  18. Risk taking and expanding personal comfort zone
  19. Knowing when to slow down
  20. Allow time for own training

chapter seven

Tai-Chi and World Peace

Tai-Chi is a soft flowing branch of the martial arts comprised of a series of never ending circles. Even though the movements appear to be moving along a straight line, actually they have small, hidden circles hidden within them.

The feeling of the movements when done correctly is much like moving underwater. It is as if the air is heavy. There is a sensation to the air “helping” the movements along, as if the muscles were unnecessary for movement.

The mind is focused on the breath as well as the tan-tien, an area about 3” below the navel that acts as a power center for the movements. The stillness within is in focus while the movement without is flowing. Simultaneously all muscles and internal organs are being massaged by the circular movement of the form. The spiritual and physical become one. Circles flow out from the center like a target with the center circle being the Center of the spirit, moving outward to arm, hands and finally kick motions to complete the form. In this way, it is illustrated that the further from the center of our being we stray, the less balance we have in our lives.

The first and last movement in the form represent the gathering and dispersing of the energy of the earth and sky as the form is opened and closed.

Let us take the yielding, yet focused principles of Tai-chi into our daily lives not to show off our own pride, but as a focused fighter for the truth and peace for our planet.

My teacher once said “We must learn as martial artists to be warriors not gladiators. A gladiator is one who fights for “show” or for a prize. A warrior fights only for something he truly believes in and disciplines himself for many years for the “fight” to remain calm and focused to stand for truth.

We begin at the center of our spirit, deep within, and this energy becomes the force behind hand, elbow and shoulder motion and finally into the kicks. Beyond the kicks there is no further reach outward without losing one’s physical and mental balance. The kicks look powerful and dangerous but in reality during the kicks we stand only on one leg and at our most vulnerable. On a day to day basis, by practicing by working from the center, one learns that strength comes not from kicking, punching but from remaining focused on the source of our strength which is within. While focusing on our own center we are better able to get a better feeling of the center of others around us. In doing this, we begin to learn about others through knowing ourselves. On a world level, the principles of Tai Chi would help world leaders as well as individuals focus on their inner truth and strength as well as that of others. As we stay closer to the center the outer manifestations of quarreling and nuclear wars would be eradicated.

We would not even need weapons because we realize that we all want the same thing and that is peace of mind and body, which can not be acquired with weapons of any kind.

As a world we have strayed from our center and have become impersonal. To further explain, imagine that tan-tien is the center of our innermost being as humans, from the center we move outward in the form to the hands and arms etc until we reach the kicks. In the same way our heart is our center in daily life and we move from our center to talking to blows with fists, to guns, nuclear warfare and become more and more impersonalized and vulnerable to our utter extinction.

In both cases the center is the key, all the acts that are centered and balanced and done from the center and the heart will lead us all away from ourselves or “other” and will lead us away from destruction. Instead, strength, peace and loving kindness and respect will pervade in the hearts of everyone on the planet.

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